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The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture (1893)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 227

An illustration from The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture, 1893, leaf 227
203 posed like G£romcs Pollice Verso, repetitions could beintroduced at will. But it is difficult to understand howthe same can be done in painting a landscape, especiallyif copied from some definite scene. The problem,according to Ruskin ( Elements of Drawing, LetterIII.), was solved by Turner in… … FIQ. 66.-OLD BRIDGE AT COBLENTZ.—TURNER.See pages 48, 159, 174, 203.grouped that, in three cases, two of these spires takentogether (in each instance a large one and a small one,introducing thus, as will be noticed, the principle of alter-nation) looked like repetitions of each other and of…

Aesthetics

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