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The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture (1893)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 247

An illustration from The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture, 1893, leaf 247
mber of themes or phrases, say, ina symphony, the more complicated, as a rule, are its move-ments ; and the greater the number of trees or rocks in alandscape, the more complicated, as a rule, are the factorscomposing it. But while this is true, these factors, if complicated inan artistic manner,… … £ « Q M I ci CD SI 224 THE GENESIS OF ART-FORM. 225, also Fig. 9, page 38). When, says Charles Blanc,in his Art in Ornament and Dress, the surface orna-mented according to Arabian taste has no dominant subjectindicated by its isolation or by its color, the spectatorhas only before him an assemblage…

Aesthetics

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