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The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture (1893)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 250

An illustration from The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture, 1893, leaf 250
,caught up and ex-tended further on. Ifabsolutely continu-ous, they suggest de-grees of mathematicalexactness and of mo-notony inconsistentwith a reproduction ofthe effects of nature. A landscape in which paths or treesor bridges are arranged in uninterrupted rows as geometri-cally regular as the… … FIG. 75.—SCULPTURED GROUP OF THE LAOCOON.See pages 120, 182 204, 235, 238. INTEPSPEPSION, COMPLICATION, CONTINUITY. 227 more evidences of nature as God left it. In this, weshould usually find places where lawns, bushes, forests,rivers, hills, or other paths, trees, or hedges crossed orstopped the…

Aesthetics

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