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The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture (1893)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 251

An illustration from The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture, 1893, leaf 251
FIG. 75.—SCULPTURED GROUP OF THE LAOCOON.See pages 120, 182 204, 235, 238. INTEPSPEPSION, COMPLICATION, CONTINUITY. 227 more evidences of nature as God left it. In this, weshould usually find places where lawns, bushes, forests,rivers, hills, or other paths, trees, or hedges crossed orstopped the… … FIG. 76.—SOUTH AISLE OF WINCHESTER CATHEDRAL, ENGLAND. See page 240. where they are expected to be so, the interruption occa-sioned by folds of drapery about the human body, or bythe trailing of a vine about the pillars of a porch or edgesof a tower, usually suggests a touch of nature that re-deems…

Aesthetics

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