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The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture (1893)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 282

An illustration from The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture, 1893, leaf 282
the natural requirements 258 THE GENESIS OF ART-FORM. of art. For both reasons, the architect needs to be ex-ceedingly careful in his work. A painter has but tocopy a tree as he sees it in nature, and every part of itwill be consonant. The leaves or branches will differ insize and shape and, in the… … FIG. 85.—CHATEAU DE RANDAU, VICHY, FRANCE.See pages 124, 180, 262. itself in every part of the tree that no one who sees it candoubt that each belongs to the same organism. A build-ing should appear to be as much a unity in this sense as atree. Exact repetition of the same forms, as…

Aesthetics

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