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The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture (1893)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 98

An illustration from The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture, 1893, leaf 98
FIG. 16.—DESCENT FROM THE CROSS.—PETER PAUL RUBENS.See pages 16, 72, 80, 144, 190, 214, 235, 257. 74 THE GENESIS OF ART-FORM. … and massing, to be considered pre-sently, can be secured when the twooperate conjointly. In sculpture the methods underconsideration are equally prevalentand effective. When there are manyfigures, the same principles apply asin painting, excepting, of course, caseswhere there is color. See the…

Aesthetics

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