The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture (1893)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 98
entand effective. When there are manyfigures, the same principles apply asin painting, excepting, of course, caseswhere there is color. See the relief,now in the Louvre, entitled MithrasStabbing the Bull, Fig. 54, page 179. FIG. 17— STATUE OF LEDA,AT FLORENCE. See pages 74, 85, 179, 289. When,… … FIG. 18.—STATUE OF TITUS, IN THE LOUVRE.See pages 75, 85, 120, 180, 289. PRINCIPALITY IN SCULPTURE. 75 Florence, Fig. 17, page 74, with the hand before the breast,about which also all the outlines of the unresisting formseem to centre, gives principality to the heart, the seat ofthe affections. The…
Aesthetics
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