The golden days of the renaissance in Rome, from the pontificate of Julius II to that of Paul III (1906)
Lanciani, Rodolfo Amedeo, 1847-1929 · Boston; New York : Houghton, Mifflin and company · leaf 318
was soon levelled to the ground by Bramante,and the tomb was removed to the choir of Santa Mariadel Popolo. Cardinal Sauli in 1624 transferred it from theciioir to the Chigi chapel, which was then considered resnullius. Two years later Fabio Chigi once more removedit, and it now appears to have… … The Woman of Samaria, a panel by Lorenzetto in the chapel at Santa Maria del Popolo whose guidance many changes were made, and not veryhappy ones. For instance, the panel modelled by Raphaeland cast in bronze by Lorenzetto, which formed the principalornament of the bankers tomb, was removed from…
