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The grammar of photo-engraving : containing instruction in drawing, chemistry and optics, as applied to photo-engraving, and a practical treatise on the art of half-tone, zinc etching, swelled gelatine, lithotype and chalk plate engraving, as practiced in the United States (1895)

Farquhar, H. D. (Harry D.), Eder, Josef Maria, 1855-1944 · London : Dawbard & Ward · leaf 83

An illustration from The grammar of photo-engraving : containing instruction in drawing, chemistry and optics, as applied to photo-engraving, and a practical treatise on the art of half-tone, zinc etching, swelled gelatine, lithotype and chalk plate engraving, as practiced in the United States, 1895, leaf 83
ure to bring them out, the high lights will have spread so much as to cause them to fill up and blur. The greatest trouble, how- ever, is when sufficient exposure is not given. A good, full exposure is necessary to make a first-class negative, and to get all details. If black spots present…

Photoengraving

Internet Archive · Getty Research Institute · Public domain (published before 1931). Free to use for anything.

More pictures from The grammar of photo-engraving : containing instruction in drawing, chemistry and optics, as applied to photo-engraving, and a practical treatise on the art of half-tone, zinc etching, swelled gelatine, lithotype and chalk plate engraving, as practiced in the United States

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