The study and criticism of Italian art : second series (1902)
Berenson, Bernard, 1865-1959 · London : G. Bell and sons · leaf 34
the thumb that we can parallel not only inthe Madonna of the Louvre, but everywhere inLo Spagna. Peruginos hands are much finer andmore delicate. A detail even more typical is to be found in theway the draperies are disposed. It is instructive tocompare, in this respect, the Caen Sposalizio withLo… … [Louvre, Paris. MADONNA AND CHILD THE CAEN SPOSALIZIO ii Cavalcaselles expression, arranged by hand as on layfigures. The Virgins torso is clothed in a sort ofshapeless sack, under which one can scarcely makeout her form. St. Joseph also wears a garment thatlooks like a sack, and the same might be…
Art, Italian · Painting, Italian
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