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The study and criticism of Italian art : second series (1902)

Berenson, Bernard, 1865-1959 · London : G. Bell and sons · leaf 78

An illustration from The study and criticism of Italian art : second series, 1902, leaf 78
ongs, so to speak, to an entirelydifferent sphere. Well! the Madonna of the Du-chatel collection is majestic, hieratically majestic,but she is very refined, very delicate : she is neithermassive nor monumental. Pieros Madonnas havea fixed and severe physiognomy, massive structureand immobile pose.… … Aliuariphoto.\ [Uffizi, Florence. THE ANNUNCIATION ALESSIO BALDOVINETTI 35 fleeting emotion. The expression of his almostalways imposing figures is the expression of theentire character, or, at most, of the whole action re-presented. Never a smile, never a touch of tender-ness. How different from…

Art, Italian · Painting, Italian

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