A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century (1903)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897, Strong, S. Arthur (Sandford Arthur), 1863-1904, De Nicola, G, Borenius, Tancred, 1885-1948, Douglas, R. Langton (Robert Langton), 1864-1951 · London : J. Murray · leaf 154
y exaggerated one of anaged woman. A nimbed figure on horseback standing in profile in front, affected inthe action of the arms (much discoloured), is said to be a portrait of the Duke ofAthens, and near him is supposed to be the likeness of Cavallini; but these arefables to captivate the idle, not… … II.] PIETRO LOEENZETTI 103 back with her thumb. With some slight variety her form is arepetition of that in Pietros altarpiece at Arezzo. Beneath this,and between two shields of which the blasonry is gone, the Cruci-fixion is repeated in miniature, and a figure in prayer, said to be aportrait of…
Painting, Italian
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