A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century (1903)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897, Strong, S. Arthur (Sandford Arthur), 1863-1904, De Nicola, G, Borenius, Tancred, 1885-1948, Douglas, R. Langton (Robert Langton), 1864-1951 · London : J. Murray · leaf 318
opinion thatAvanzi is the only painter of the Cappella San Giorgio,^ and theMarchese Selvatico, translator of the latter, joins issue with himin favour of Altichiero.^ The commentators of the last editionof Vasari are of the opinion held by Campagnola and Rizzo; ^ Anonimo, u.s., pp. 6 and 101.… … VI.] ALTICHIERO AND AVANZI 231 and finally, Bernasconi and Laderchi ^ complete the list of some-what angry disputants who poison their debate with the furtherquestion as to whether Jacopo Avanzi is identical with Jacopodegli Avancii and Jacobus Pauli of Bologna. It has alreadybeen stated in these…
Painting, Italian
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