e. The cold field of allegory, sopopular in his time, was too uncongenial to the nature orthe practice of this great painter for him to have left morethan one specimen, that I am aware, of this class. I referto the masterly work in chiaroscuro, representing the de-liverance of the Dutch Provinces… … DUKE AD0LPHU3 OF GUELDERS THREATENING HIS FATHER. By Rembrandt la tbe Berlin Museum. pa£e 344.
Painting, German · Painting, Flemish · Painting, Dutch
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