y be con-sidered the chef-doeuvre of his many pictures of thisclass. No. 160—a Menagerie—proves that in transparencyof pure sunlight, even Peter de Hoogh does not surpasshim. The trunk of the tree with the peacock shows, atthe same time, how accxirately he rendered such subjects.Of his various…
Painting, German · Painting, Flemish · Painting, Dutch
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