A critical account of the drawings by Michel Angelo and Raffaello in the University Galleries, Oxford (1870)
Robinson, J. C · Oxford : Clarendon Press · leaf 197
thed, to mark the anatomy,' &c. Passavant (Catalogue, No. 477) adds nothing worth quoting. The increasing power of Raffaello in his renderings of the naked figure is very visible in this drawing. It should be remarked that up to this time his drawings do not give much evidence of his having ever…
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