A critical account of the drawings by Michel Angelo and Raffaello in the University Galleries, Oxford (1870)
Robinson, J. C · Oxford : Clarendon Press · leaf 221
es for it formed the earliest labours of the great artist on his arrival in Rome from Florence about the middle of a.d. 1508. The composition has been fully described in several well- known works. The subject may be briefly characterised as an endeavour to express the relation of man to the…
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