A critical account of the drawings by Michel Angelo and Raffaello in the University Galleries, Oxford (1870)
Robinson, J. C · Oxford : Clarendon Press · leaf 275
oted himself to the study of Art. It appears that whilst still quite a child, a friend showed him the facsimiles of these drawings in the Crozat Gallery, whereupon he copied them, and the abiding impression of their excellence mainly induced that love of ancient drawings which in after life he was…
