Tree and serpent worship, or, Illustrations of mythology and art in India in the first and fourth centuries after Christ : from the sculptures of the Buddhist topes at Sanchi and Amravati (1868)
Fergusson, James, 1808-1886, Waterhouse, James S., 1842-1922, photographer, Griggs, William, 1832-1911, lithographer, photographer, Great Britain. India Office, W.H. Allen & Co., publisher, Eyre & Spottiswoode, printer · London : India Museum : Wm. H. Allen and Co., 13, Waterloo Place, S.W., publishers to the India Office · leaf 101
. 11) — which, however, is fully confirmed by photographs — shows it to possess most of the essential features of the Amravati rail. Each of the three DwxRp Rail in front op KEmiEBi Cave. intermediate rails has a disc, and the From a Drawing by E. "W. West, Esii. octagon pillars have a central… … Hail in front of Nassicic Cave. modern. It is so weather-worn that From a Drawing by E. W. West, Esq. it is difiicult to determine which. My present impression is, that the Nassick rail belongs to the fourth, the other to the beginning of the fifth century of om- era. They are both examples of the…
Tree worship in art · Serpent worship in art · Art and mythology · Buddhist sculpture · Stupas · Architecture
Internet Archive · Getty Research Institute · Public domain (published before 1931). Free to use for anything.
