A grammar of colouring : applied to decorative painting and the arts (1896)
Field, George, 1777?-1854, Davidson, Ellis A., -1878, Field, George, 1777?-1854. Rudiments of the painters' art, or, A grammar of colouring · London : C. Lockwood · leaf 230
RENAISSANCE. CHAPTER XXXVI. THE RENAISSANCE. Tuts style was the revival and combination of the most beautiful elements of Classic art. The return to these was due to the gradually growing influence of the Saracenic, not as au absolute style, but as affording new elements of beauty, especially in… … The first step of the transition from middle age to modern art is known from its mean time (about 1300) as the Zrecento, the great features of which are its intricate tracery or interlacings and delicate scroll- work of conventicnal foliage—the style being a com- bination of the Byzantine and…
Color · Pigments · Painting · Decoration and ornament
Internet Archive · Getty Research Institute · Public domain (published before 1931). Free to use for anything.
![An illustration from Tractatus posthumus Jani Jacobi Boissardi Vesuntini De divinatione & magicis praestigiis : quarum veritas ac vanitas solidè exponitur per descriptionem deorum fatidicorum qui olim responsa dederunt : eorundemque prophetarum, sacerdotum, phoebadum, sybyllarum & divinorum, qui priscis temporibus celebres oraculis exstiterunt ; adjunctis simul omnium effigiebus, ab ipso autore e gemmis, marmoribus, tabulisq[ue] antiquis ad vivum delineatus : jam modo eleganter aeri incisis per Joh. Theodor. de Bry .. (1615)](https://img.insideoutlibrary.com/img/200/ia-tractatusposthum00bois-219-0.webp)
