and tentative ; his shading and marking of folds, his drawng of armour and its enrichments, are less certain and direct ; the mane of his lion less alive ; above all the character of the heads in the Oxford exami)le is far stronger, and the shadows modelling the cheek and throat of the woman are… … II' on the other hand Durer’s work is an improved recollection of what he had seen in MONUMENT BY PETER VISCHEK AT HECHINGEN Vischer’s studio, why did he make certain changes not easy to explain, such for instance as the omission of the helmet with its waving plumes, a thing which he loved to draw…
University of Oxford. Christ Church College · Ashmolean Museum · Drawing
Internet Archive · Getty Research Institute · Public domain (published before 1931). Free to use for anything.
