The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 111
og, evidently dragged unwillingly along, and lookingback with regret towards the warm chimney-nook he has left behind. In all these cases the student must recollect that one attractive elementmay successfully balance another of a different character; and so, withoutundue formality, preserve the… … Fig. 3.—A TARTY OF PLEASURE : ARRAN. ON COM POSITION. 81 either when the spectator is standing on the sea-shore, or on a level country ;but even when not seen, as in a mountainous view, or close wood, it muststill be indicated in the drawing by a line parallel to the base, and extend-ing from side…
Landscape painting · Watercolor painting
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