The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 132
LIGHT AND SHADF, OR CHIAROSCURO. 101 … interest as well as the contrast, a sufficient degree of opposition is pro-duced ; and the shadow, by mbeing graduated towardsthe centre of the subject,is not separated. The lightof the cloud is repeated inthe water, but not in sucha ^quantity as to interferewith the mass in the sky.When clouds are…
Landscape painting · Watercolor painting
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