The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 134
e focus of the eye attractive either withlight or dark, but to assign them such a middle tint as may suffice to givesolidity, and to bring out the other parts of the picture. Cast shadows, whether of individual objects in the picture, as in Fig. 16,or of more extended objects, as clouds, out of the… … Fi£. 16. object, defining more distinctly the undulations of the ground; at othertimes seemino-to hide unne-cessary or ug-ly forms, andto support thelines of thecompositionwhere the out- lines of the Has objects them-selves are notsufficient forthis purpose. In the accompanying example (Fig. 16),…
Landscape painting · Watercolor painting
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