The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 134
ight and shade com-bined with local colour. As, in speaking of composition, it was suggestedthat lines receding from the foreground or the base of the picture into thedistance should be selected in preference to those in other directions, so it is in general better toavoid all such shadowsas cross… … 1 Fiy. 17. shadow, see Fig. 17 ; and, contrasting it with the same subject in Fig. 104 LANDSCAPE-PAINTING.
Landscape painting · Watercolor painting
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