The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 135
1 Fiy. 17. shadow, see Fig. 17 ; and, contrasting it with the same subject in Fig. 104 LANDSCAPE-PAINTING. … Fie. is. 18, observe how, by a different treatment, a more concentrated effect hasbeen obtained. Thelines of the fence, nolonger so equally andstrongly marked, arerendered more pictur-esque by being variedand broken by sha-dows alternating witha few bright lights ;while, to give varietyto the…
Landscape painting · Watercolor painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
