The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 140
each side, as in Fio-. 25it will be advisable to vary the effect by placing the darkest mass con-trasted with the largest and brightest light on that side to which the atten-tion is to be directed. If, at the same time, additional interest be created by the presenceof one or twofigures, whilethe… … Fig. 26.
Landscape painting · Watercolor painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
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