The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 142
LIGHT AND SHADE, OR CHIAROSCUKO. Ill … Fi.4. 28. the name by which the artist intends his picture to be known often givesa clue to the treat-ment, not only of thelight and shade, butof the whole compo-sition. When shadow is: thrown all over anypart or object in acomposition, it ishighly important thatthe shape should beagreeable without…
Landscape painting · Watercolor painting
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