The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 142
s of uncouth or difficult form maybe united by some general effect, so as to dispense with a portion of theiroutline : in this way parallel lines may be discarded, and others obtained unequal in size, and varied by the arrange-ment of the accidentalshadows. Any for-mal manner of treat-ing subjects,… … Fij. 29. \ r 112 LANDSCAPE-PAINTING. the variety and simplicity of nature, is usually distinguished as a tricky style of art. In Fig. 29, great breadth is gained by placing light upon light, anddark upon dark, with a large portion of half-tint of a deep tone. Subjectstreated in this style present,…
Landscape painting · Watercolor painting
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