The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 148
itpossesses great power. Its general colour is not disagreeable in any part ofthe picture ; and should other tones be required, it will harmonise well withcobalt and the other blues which are used in the sky ; it may also be resortedto with equal advantage in the richer tints of the foreground. The… … 1 114 LANDSCAPE-PAINTING.
Landscape painting · Watercolor painting
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