The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 173
e strength by degrees,and diminishing in the sameway as the cadmium. Shouldthe tone appear too coloury,a slight wash of Venetian redmay be necessary. The cobaltblue, No. 3, is introduced inthe same way, only that it is increased in strength until it reaches the boundaryline. Should the cadmium… … DESCRIPTION OF PLATES. 131 Naples yellow, or lemon yellow. Scarcely any of these sky tones diluted,with the exception of the blue, will be out of place over the landscape-indeed, they all tend to harmonise the whole; but as the whole of the fore-ground and rocks are darker than the sky, some more…
Landscape painting · Watercolor painting
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