The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 208
Black, Ivory Black, or Ultramarine Ash are used in addition,these pigments affording silvery greys of a soft or subdued character. In forming all these aerial greys we must endeavour to select the mosttransparent pigments; and by using them, when painting skies,in thin butfull washes, and also by… … &3^ form so ?*q£L important a portion of all pleasing landscapes, that painters in water-colours find they engross a large^^-^j^ share of their time and thoughts. In nature they*¥^ are the objects of universal admiration; the eye is never fatigued while dwelling on their refreshing tints and…
Landscape painting · Watercolor painting
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