The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 292
ERIAL perspective holds the same relativeposition with regard to colour that linear!g? perspective does to form; each, in therespective division of art to which it be-ll/, longs, being the foundation of truthful re-glen sligachan, skye. presentation. The consideration of linearperspective…
Landscape painting · Watercolor painting
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