The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 296
warm ray of sunlight, loaded with reddish or orange tones,may be passed across a portion of the distance or the branch of atree, giving a dusky and warm effect which cannot be obtained in any other way. In like manner, smoke can be better represented by scumbling theseopaque tones over the dark…
Landscape painting · Watercolor painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Rambles in the Pyrenees and the adjacent districts, Gascony, Pays de Foix [and] Roussillon (1912)](https://img.insideoutlibrary.com/img/200/ia-ramblesinpyrene00jack-310-89.webp)
