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The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)

Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 334

An illustration from The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts, 1885, leaf 334
Plate 20 will, we believe,be found useful. MOONLIGHT, PLATE XXI. Moonlight possesses great charms for all lovers of nature. Objectsseen by it seem separated from the more common light and influence ofevery-day life, and subject to different laws, as if they belonged to anotherworld. But still the… … LK].,II (UN, HUM WXS/M AJBIBaiTs KTDDmj©. I PICTORIAL PHENOMENA OF NATURE. 24L tion, tending to produce a result on the eye of the spectator more inaccordance with the appearance of nature than would follow from an exactcopy. The illuminating power of the moon is very small in comparisonwith that…

Landscape painting · Watercolor painting

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