The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 36
ffects of nature:—we arerestricted by the very qualities of the substances we use. Passing on to the practical part of our subject, we will now describe themost important of these pigments, noting the circumstances and modesof application which enable us to use them most effectually in our…
Landscape painting · Watercolor painting
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