The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 38
mparting the same quality to all the hues in which it pre-dominates. It is rarely seen pure in landscape; but in the heavens wefind abundant compensation for its paucity on earth. Con-sidering, then, these threecolours alone requisite for ourpresent purpose, suppose wearrange on a white… … Fig. 3. primary coloured pieces cross each other three compound colours will beproduced, called by artists secondary colours : thus yellow and red will c 2 20 LANDSCAPE-PAINTING. make orange ; yellow and blue, green ; and red and blue, purple. If eachstrip of glass had consisted of two bands of the…
Landscape painting · Watercolor painting
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