The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 48
th blue than the two former; it thereforemakes the nearest approach to shade and darkness. It contrasts well witha deep-toned orange, and is the most retiring of all the colours. Appear-ing continually in the representations of slates and grays on rocks, andin the deep shadows on water, it is of… … J ON THE HARMONY AND NATURALL CONTRASTS OF COLOURS. HE study of Chromatics, or the relations which different colours bear to each other, forms an essential part of the education of every student in the art of colouring. It enables him to appreciate the numberless variations which he may make with…
Landscape painting · Watercolor painting
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