The painting of the ancients, in three bookes : declaring by historicall observations and examples, the beginning, progresse, and consummation of that most noble art, and how those ancient artificers attained to their still so much admired excellencie (1638)
Junius, Franciscus, 1589-1677 · London : Printed by R. Hodgkinsonne, and are to be sold by Daniel Frere ... · leaf 282
red picture. Thus after the confederati-on of Defigne and Proportion^ followeth that we fhould proceed to■ Colour; ... v-> HA P- )N Artificer handleth his instruments with eafe,(ayth Seneca *, the Mafter of ajhippe fyioweth * Epifi. 121.how to turne theflerne.the Painter doth nimblymarke many… … 272 The ancient Art of every name, but foch onely as are proper for it \ Co dothnot the whole multitude of all colours meete to the makingof a pi&ure, but fbme part of them onely, and thefe notwildly fcattered upon a boord, but well and orderly dige-ftedby a moft accurate and judicious Art: He…
Painting, Ancient · Painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Architectura curiosa nova, exponens 1. Fundamenta hydragogica, indolemq[ue] aquæ, aëris interventu in altum levandæ. 2. Varios aquarum ac salientium fontium lusus per varia spectatu jucunda epistomiorum seu siphonum genera. 3. Magnum amnissimorum fontium, machinarumq[ue] aquæductoriarum sumtu magno exstructarum, ac per Italiam, Britanniam, Germaniam &c. visendarum, numerum. 4. Specus artificiales sumtuosissimas, cum plerisq[ue] principum europæorum palatiis, hortis, aulis; nec non præcipuis monasteriis atq[ue] arcibus. 5. Cum auctario figurarum elegantissimarum, ad hortorum topiaria vario ductù dividenda, nec non conclavium laquearibus ac pavimentis segmentandis, itemq[ue] labyrinthis construendis, adhibendarum. Omnia 200 æri incisis... descripta (1664)](https://img.insideoutlibrary.com/img/200/ia-architecturacuri00bock-23-16.webp)
