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A guide to the Mediaeval Room and to the specimens of mediaeval and later times in the gold ornament room : with fourteen plates and a hundred and ninety-four illustrations (1907)

British Museum. Dept. of British and Mediaeval Antiquities and Ethnography, Dalton, O. M. (Ormonde Maddock), 1866-1945, Read, Charles Hercules, Sir, 1857-1929 · [London] : Printed by order of the Trustees · leaf 162

An illustration from A guide to the Mediaeval Room and to the specimens of mediaeval and later times in the gold ornament room : with fourteen plates and a hundred and ninety-four illustrations, 1907, leaf 162
rst to popularize painting ENAMEL 127 in grisaille, i.e. the style in which the figures are entirely oralmost entirely executed in opaque white enamel on a blackbackground. Many of their pieces have stamped on the backthe monogram shown in figure 101, which was the markof their workshop and their… … Fig. 100.—Enamelled panel: school of Nardon Penicaud. to the Penicaud atelier. Both produced work, usually in grisaille,of the finest quality. The Museum contains several examplesof enamels by Jean Penicaud II; and the series of plates withthe story of Psyche is ascribed to Jean Penicaud III. A…

British Museum. Dept. of British and Mediaeval Antiquities and Ethnography · Art objects · Art, Medieval

Internet Archive · Pontifical Institute of Mediaeval Studies Library · Public Domain Mark 1.0. Free to use for anything.

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