A guide to the Mediaeval Room and to the specimens of mediaeval and later times in the gold ornament room : with fourteen plates and a hundred and ninety-four illustrations (1907)
British Museum. Dept. of British and Mediaeval Antiquities and Ethnography, Dalton, O. M. (Ormonde Maddock), 1866-1945, Read, Charles Hercules, Sir, 1857-1929 · [London] : Printed by order of the Trustees · leaf 47
an English origin can be ascribed with certainty—a diptych(fig. 118) bearing in the lower spandrils of the leaves the arms ofJohn Grandison, Bishop of Exeter (1327-1369), and a panel of thesame character : these carvings are executed in a massive andoriginal style which in itself distinguishes them… … IVORY CARVINGS 25 bone and intarsia-work made in the North of Italy, probably atVenice, at the end of the fourteenth century, and a large Italiancrucifix. Cases 42 and 43 contain several ivory paxes (see p. 225),one signed by Jehan Nicollc; with panels, statuettes, and busts,chiefly of the…
British Museum. Dept. of British and Mediaeval Antiquities and Ethnography · Art objects · Art, Medieval
Internet Archive · Pontifical Institute of Mediaeval Studies Library · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Illustrated catalogue of a highly important collection of ancient paintings of the Italian, Dutch, Spanish, Flemish and French schools, including an imposing gathering of Italian and Flemish primitives [electronic resource] : to be sold at unrestricted public sale by direction of the F. Kleinberger Galleries, for the purpose of adjusting the business interests of their former partnership and the present incorporation, in the grand ballroom of the Plaza Hotel, Fifth Avenue, 58th to 59th Street, on the evening herein stated (1918)](https://img.insideoutlibrary.com/img/200/ia-liu-31289009872740-72-27.webp)
