History of ancient, early Christian, and mediaeval painting (1880)
Woltmann, Alfred Friedrich Gottfried Albert, 1841-1880, Woermann, Karl, 1844-1933, Colvin, Sidney, Sir, 1845-1927 · New York : Dodd, Mead & Co. · leaf 295
ment ; the oldmode, which was rather one of drawing than painting, is replaced by genuinebody-colour painting in a light and rather cool key, with much use ot brokentints and delicate feeling for harmony of colour ; the flesh tones are yellowish,with a moderate amount of shading. The old… … CH. I^J-UTZBtL^GLRLi Fig. 69. signs of a study of Byzantine models. The drapery is best understood in theParis manuscript, elsewhere it is often petty in detail, and consists of a toouniform and mechanical simplification of antique motives. The same modelsseem to be indicated by the dignity of the…
Painting, Early Christian · Painting, Medieval
Internet Archive · Pontifical Institute of Mediaeval Studies Library · Public Domain Mark 1.0. Free to use for anything.
