History of ancient, early Christian, and mediaeval painting (1906)
Woltmann, Alfred Friedrich Gottfried Albert, 1841-1880, Woermann, Karl, 1844-1933 · New York : Dodd, Mead & Co. · leaf 183
ything else to follow the progress of his development in style and drawing, We see himbegin with the ungracious forms of Wolgeinuts sc hool ; betraying tin* influence ofMantegna after his first visit to Italy see, for example, the Genii (B. 66 and 148 HISTORY OF PAINTING. 77) ; then, after his… … Fig. 192. the Adam and Eve (B. 1), and finally allowing his own feeling for natureand sense of style to lead him to an independent conception and a trulyGerman Renascence. Besides this, in Diirers engraved works we findinterpreted all the mind and feelings of his time, which indeed he contributed…
Painting
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