History of ancient, early Christian, and mediaeval painting (1906)
Woltmann, Alfred Friedrich Gottfried Albert, 1841-1880, Woermann, Karl, 1844-1933 · New York : Dodd, Mead & Co. · leaf 264
is an example ofhis transition style, with others at Genoa, Dresden, and Vienna. His latercharacteristics are fully developed in the altar-piece in the Louvre (No. 601),with a Pieta in the chief panel ; and in the large Adoration of the Kings inthe Dresden Gallery. There is a similar work in the… … 23° HISTORY OF PAINTING. his portraits, though recent students have recognised his hand in a great number,principally in the galleries of Germany-—not a few of them ascribed to so greata man as Holbein. Scheibler, for instance, attributes to the Cologne master aportrait of a man with a rosary, and…
Painting
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