History of ancient, early Christian, and mediaeval painting (1906)
Woltmann, Alfred Friedrich Gottfried Albert, 1841-1880, Woermann, Karl, 1844-1933 · New York : Dodd, Mead & Co. · leaf 464
certain theatrical attitudes and a cold shell-like effectof colour. The painting, however, is firm and broad, and in his treatment THE EARLY RENASCENCE IN ITALY. 429 of light and atmosphere Cavazzola appears as the direct forerunner of his laterand greater namesake. There are two characteristic… … FiK. 316. Over Michele </<r Verona, who w as for a time a colleague of Morando, andrilippo da Verona \vc cannot linger. A painter, however, who must be moreparticularly mentioned as having, like /rant <•.*<•»» Torbido% worked Under directVenetian influence, is Girolamo Mo<, t<\…
Painting
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