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History of ancient, early Christian, and mediaeval painting (1906)

Woltmann, Alfred Friedrich Gottfried Albert, 1841-1880, Woermann, Karl, 1844-1933 · New York : Dodd, Mead & Co. · leaf 507

An illustration from History of ancient, early Christian, and mediaeval painting, 1906, leaf 507
type towhich Leonardo afterwards so exclusively devoted himself; the lips thin, thechin narrow, the eyes dream)-, the lips curved in .1 mysterious smile, the tic.it 472 HISTORY OF PAINTING. ment of the chiaroscuro is wonderfully powerful in every gradation from blackto white. A still greater… … Fig. 328. actually began it, but again he would make experiments with his medium,and with so little success that he gave up the work. The cartoon is lost, andwe only know the central group from a drawing, ascribed to Rubens, in theLouvre. This is commonly known as the Battle of the Standard. The…

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