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History of ancient, early Christian, and mediaeval painting (1906)

Woltmann, Alfred Friedrich Gottfried Albert, 1841-1880, Woermann, Karl, 1844-1933 · New York : Dodd, Mead & Co. · leaf 568

An illustration from History of ancient, early Christian, and mediaeval painting, 1906, leaf 568
tructive from beingunfinished. The Madonna pictures which have no accessory motive, but simply THE GOLDEN AGE OF PAINTING IN ITALY. 533 represent the beauty of young motherhood, are by far the most numerous.One of the gravest and most statuesque is the Madonna del Gra?iduca, in thePitti Gallery… … Fig. 368. sometimes added the infant S. John—standing reverently shy, as in the I\ na-nuova Madonna at Berlin (and in another small picture in the same gallery of which the genuineness has lately been stoutly defended1 ; i kneeling in adoration, as in the Belli Jardinikn in the Louvre; or…

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