History of ancient, early Christian, and mediaeval painting (1906)
Woltmann, Alfred Friedrich Gottfried Albert, 1841-1880, Woermann, Karl, 1844-1933 · New York : Dodd, Mead & Co. · leaf 591
the lowerportion was executed by his scholars. The hand of Giulio Romano is plainlyrecognisable. It is intended that the spectator should understand that theactors in the scene below do not sec Christ and the prophets in the Transfigura-tion scene above, and to attain this end the artist has drawn… … stage, was produced by ignorant naivete; an ideal requirement has set asidethe laws of actuality. The glorious young master who, during his short life,was the favourite of all his contemporaries and the idol of his disciples, can THE GOLDEN AGE OF PAINTING IN ITALY. 557 only be rightly judged by…
Painting
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