History of ancient, early Christian, and mediaeval painting (1906)
Woltmann, Alfred Friedrich Gottfried Albert, 1841-1880, Woermann, Karl, 1844-1933 · New York : Dodd, Mead & Co. · leaf 617
in ; he is commonlyclassed with Raphaels pupils in the Roman school, but wrongly, a^ Morellithinks.181 Still, though the great altar-piece at Dresden and the picture ofThree Saints at Berlin betray the influence of Dosso, it cannot In- doubted thaithey show something of Raphae ls feeling in the… … Louis Sckulz delirv- Fig. 394- Louvre, in spite of the twisted pillars borrowed from Raphaels cartoon of thebeautiful gate, is distinctly Ferrarese in feeling (Fig. 393), but Raphael has THE GOLDEN AGE OF PAINTING IN ITALY. 583 certainly suggested the composition of the Madonna with saints in the…
Painting
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