History of ancient, early Christian, and mediaeval painting (1906)
Woltmann, Alfred Friedrich Gottfried Albert, 1841-1880, Woermann, Karl, 1844-1933 · New York : Dodd, Mead & Co. · leaf 66
ypure and his imitation of texture is less successful, but his modelling of flesh ismore delicate, and he depends less on strong contrasts for his outlines. Nor THE RENASCENCE IN THE NORTH. 33 do we find in Memlinc the concentrated high lights and strong relief of Janvan Eyck, or even of Dirk… … Fig. 146 on this side of the Alps has succeeded so nearly in combining the innocentand childlike character of the Middle Ages with the free handling of laterart. His earlier works are difficult to identify and date with certainty. Thereis a large triptych of the Last Judgment in the Marienkirche it…
Painting
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